the mirror tarkovsky analysis

She is verbally attacked or questioned by her colleague for her self-obsession and not feeling sorry about the divorce. The Mirror is perhaps one of Tarkovsky’s most political films. Autobiographical and highly personal, it unfolds with the associative logic of a dream. All rights are reserved. A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 2 by David George Menard Volume 7, Issue 8 / August 2003 28 minutes (6769 words) Mirror is a direct image of time created by a flux of thought-images (or thought-waves) propagating in the time-memory universe of Alexei’s mind. . Up to the concept of metacinema, where the protagonist is no longer the little Aleksej but Tarkovskij himself, whor shows us the indissoluble uniqueness of time that gives us immortality. This is an analysis of a scene from Tarkovsky's famous film "Mirror" The director tries to justify the title over here. For any request, contact us by mail. The most acclaimed Russian filmmaker is a unique craftsman who conveys his thoughts in a surreal, philosophical, and poetic narratives. Film Analysis: Stalker (1979) by Andrei Tarkovsky. The author interprets the film as having an “emotional structure,” insofar as it sequentially explores different manifesta-tions of the experience of anxiety. A Scene Analysis from Tarkovsky's "Mirror" - Free download as Powerpoint Presentation (.ppt / .pptx), PDF File (.pdf), Text File (.txt) or view presentation slides online. Alexei, who is in his death bed, thinks of his beginning when he was in his mother’s womb, wholly protected. he’s able to substitute narrative, plot, or any discernible custom in fact for impact. This site uses Akismet to reduce spam. It is inferred that Alexei is suffering from a grave (but unknown) disease and do not have much time left. ‘There was that wind, and the thunderstorm… “Galka, put the cat out,” cried my Grandmother… It was dark in the room… And the paraffin lamp went out, too, and the feeling of waiting for my mother to come back filled my entire soul… And how beautifully your film shows the awakening of a child’s consciousness, of this thought! . Alexei’s life is dysfunctional as he divorced his wife, his distress is emphasized in the conversation with his mother. NOSTALGHIA - ANDREI TARKOVSKY (1983) - PART I Andrei Tarkovsky cemented his semi-autobiographical personal odyssey with Nostalghia, perhaps the pinnacle of his cinematic art. “Tarkovsky’s religious cinema doesn’t depict Christ or God, but does reveal a world in which the unknown is not in the next country or the next town but right here, in this building, in this room.” ... lives,” like “the tea cups on the table in the rain in Solaris, the comb and Bible in Nostalghia, the mirror, cup and stereo in The Sacrifice, to name but three – also echo the painterly device of the memento mori, objects which … Natalya leaves Ignat alone in the house and leaves for work. In Mirror, history becomes an enigmatic Mirror that reflects three different levels of temporality in which time expresses a sense of … Here we have gathered some of the letters that have the most interesting points of attention. The film, strengthened by the poetry of his father Arseniy Tarkovsky, is dragging us into a series of literary metaphors. Learn how your comment data is processed. Maria says to the doctor that the purpose of her visit was ‘ladies little secret.’ After getting the medical help, Maria has a discussion with the doctor, during which the doctor asks Maria to slaughter a hen. Y1 - 2012/10/1. Maria cuts off the cock’s head without having any hesitance. But there wasn’t only criticism. We poor cinema-goers see films that are good, bad, very bad, ordinary or highly original. An Existential Analysis of Mirror Daniel Sullivan1 Abstract Andrei Tarkovsky’s Mirror is a “stream-of-consciousness” film that eschews traditional narrative structure. An equipment engineer from Kalinin was also terribly indignant: “Half an hour ago I came out of The Mirror. By navigating this website, you agree to use cookies. While he imagines that phase, his mother feels about his children. Towards the end, I would like to add that the photography and the music of the film are profound and pensive. The author interprets the film as having an "emotional structure," insofar as it sequentially explores different manifestations of the experience of anxiety. Before I ever saw one of his films I had already bestowed upon … In Mirror, history becomes an enigmatic Mirror that reflects three different levels of temporality in which time expresses a sense of universal oneness. The visuals of Nostalghia are consumed by a mesmerizing oneiric state, languished in the aftermath of overwhelming tragedy, seemingly under the intense burden and guidance of solemn prayer or deep, contemplative … Alexei, while having a conversation with his ex-wife Natalya (also played by Margarita Terekhova), confesses that she resembles his mother without revealing the dreams he is having and his fears about his kid Ignat. … Comrade director! In the middle of this creative cycle stands Mirror, Tarkovsky’s most explicitly autobiographical film and also his most formally complex. Another engineer, this time from Sverdlovsk: “How vulgar, what trash! Nor yet at seventy. And her reaction to that is unexplainable. Pardon me if my observation seems simplistic. His mother, Maria, with her two children (Alexei and his sister Marina), after the divorce, shifts from Moscow to a countryside village. Reading through Ibn Arabi, the ‘Mirror’ of Tarkovsky requires a deeper analysis. My childhood was like that. That is the contact that stops people being separated from each other, that brings down barriers. The poem is among those quoted in Andrei Tarkovsky’s Mirror: Beneath the jasmine a stone marks a buried treasure. Her childhood is what frees the thought from negative meanings and manages to disclose the creative and communicative processes that led to the realization of The Mirror. Free delivery on qualified orders. Filled with hauntingly beautiful imagery and metaphoric treasure, it is a film that lingers with you for the eternity it explores. December 12, 2019. The most acclaimed Russian filmmaker is a unique craftsman who conveys his thoughts in a surreal, philosophical, and poetic narratives. The present analysis of the dialogue between Andrei Tarkovsky and Arsenii Tarkovsky embedded in Mirror supports Filip- pov’s view that word and image in Tarkovsky’s films do not imbue each other but exist in parallel with each other.46 Tarkovsky presents his father’s poetry as a historical document that highlights the life-creating qualities of his film and reinforces the authentic aspects of the narration to … Amazon.in - Buy The Films of Andrei Tarkovsky – A Visual Fugue (Paper) book online at best prices in India on Amazon.in. And I didn’t go simply to sec it, but in order to spend just a few hours living a real life with real artists and real people… Everything that torments me, everything I don’t have and that I long for, that makes me indignant, or sick, or suffocates me, everything that gives me a feeling of light and warmth, and by which I live, and everything that destroys me – it’s all there in your film, I see it as if in a mirror. The most touching letter is sent by a little girl who, after seeing the film, wrote directly to her mother, who forwarded it to Tarkovskij, surprising the director about how the girl managed to reach such a deep understanding. Blog Posts. Can you explain? I got severely affected by this MASTERPIECE. It feels like I’ve been to an unknown pilgrimage. Written and Directed by. A cinematic iconoclast of sorts due to his distaste for symbolism, Tarkovsky stated that The Mirrorcontained “no hidden coded meaning in the film…” It was “nothing beyond the desire to tell the truth…” about his life. The film uses numerous techniques to render a life, including the juxtaposition of timelines from the past, present, and future of main character Alexei’s life, the utilization of the same actors and actresses in multiple roles, the overlay of poetry over the visu… Now the plot shifts again to the present. The film is narrated in a very original format, a dream suddenly intercuts the reality and vanishes without any indication. . The film starred Margarita Terekhova and was co-written and directed by Andrei Tarkovsky. His voice is frail and vulnerable, he was deeply affected by the divorce of his parents. These fragments are from Tarkovsky’s own past, and they revolve around his mother, childhood, and the war. despite the autobiographical nature of “mirror”, the introspection comes from its audience rather from its filmmaker. Rouven Linnarz. PY - 2012/10/1. “I’m sure, I’m not the first or the last to turn to you in bewilderment and ask you to help them make sense of Mirror. With respect, Andrey, if you are not able to answer my letter in full, could you at least let me know where I could read something about the film? No need He believes her older look accurately, though. He knows that she is dying, and all he could imagine is his relationship with his mother, Maria. . T1 - Tillich and Tarkovsky. I think there’s something unhealthy about it… I wish you every success in your work, but we don’t need films like that.”. And then there is another category of audience, the one that managed to reflect their soul in The Mirror. They were clear enough. After seeing it one is left feeling cross with oneself for being so helpless and obtuse. The timeline again changes suddenly to his adolescent days (maybe 10 or something) where Alexei and his mother Maria visits a doctor’s house. View all posts by Ennio Cretella. Getting influenced by Andrei Tarkovsky is the luxury that not every audience can afford. Tweet Share Post Bookmark. As the mysterious women disappear, Ignat receives a call from his father, Alexei, who remembers his rifle training. As an audience, I feel Alexei doesn’t want to leave his father. T o judge from his published diaries, the 1970s were a difficult period for Andrei Tarkovsky, full of anguish, heartache, and uncertainty. “Thank you for The Mirror. The narration becomes flamingly non-linear, It takes a minimum of five viewings to interpret what exactly the filmmaker wanted to communicate. Time is one and undivided, as it says in one of the poems. I bow down to Sir Tarkovksy for this scene. Tarkovsky’s Mirror, alternatively titled Mirror or A White, White Day, delves into the personal histories of its characters through a kaleidoscopic mesh of interwoven time periods. Andrei Tarkovsky’s The Mirror – Analysis . Abstract Andrei Tarkovsky's Mirror is a "stream-of-consciousness" film that eschews traditional narrative structure. I sat through to the end, despite the fact that after the first half hour I developed a severe headache as a result of my genuine efforts to analyse it, or just to have some idea of what was going on, of some connection between the characters and events and memories…. Or questioned by her colleague ’ s life is dysfunctional as he divorced wife. There ’ s face, he was deeply affected by the poetry of father! Following her personal moments and things that tell of the door and always will be face not all... Mirror premiered at Russia in the year 1975 is a “ stream-of-consciousness ” that. 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