As a direct link to the composer’s style, Böhm became the Met’s conductor of choice for Strauss, also leading Ariadne auf Naxos, Der Rosenkavalier, Elektra, and the Met premiere of Die Frau ohne Schatten. ; Réserver vos documents sur les sites Richelieu-Louvois (y compris les Cartes et plans), Opéra, Arsenal. On vous raconte l’histoire de la création des costumes et vous montre l’envers du décor ! 0000001276 00000 n In 1942–43, famed conductor George Szell made his Met debut in Salome, with Belgian soprano Lily Djanel, a noted Carmen, proving an enchanting femme fatale as the Judean princess. Strange as this programming seems today, it was not until the 1960s that Salome was considered sufficient in itself to make a full evening’s entertainment. Loquasto, Santo, 1944-.... Loquasto, Santo Santo Loquasto American producetion designer Santo Loquasto décorateur, costumier, diplômé de la Yale drama school ... Salome: The sign in Sidney Brustein's window. “With Ljuba Welitsch, the new Bulgarian soprano, as one wing of the bellows and conductor Fritz Reiner, of long and esteemed honor, as the other, they pumped blazing life into a work which might almost be said to be making its debut here with them,” wrote noted critic Irving Kolodin. Metropolitan Opera. 0000013643 00000 n Operabase has documented operatic activity worldwide since 1996, with over 500,000 performances on file. Strauss’s Salome came back to the Met on Monday, unfortunately in Jürgen Flimm’s silly production, introduced back in 2004. par Hedwige Lachmann. The performing team was one for the history books. Eric C. Simpson of the New York Classical Review wrote that “ the veteran soprano had a career night Monday, showing she still has an enormous {…} Topless Salome succeedsin making John the Baptist headlessby going topless shedding ... by bending Herod to her will.Mr. Production: Jürgen Flimm Set & Costume Designer: Santo Loquasto Lighting Designer: James F. Ingalls Choreographer: Doug Varone Thus, five days after the premiere, a board resolution sent to Conried advised him that Salome was “objectionable, and detrimental to the best interests of the Metropolitan Opera House.” Some negotiations followed, but, in the end, performances of Salome were banned from the Met. ; Ajouter vos notices et les classer. Uptight. OPERA REVIEW. Salome. 0000005429 00000 n %PDF-1.4 %���� Oscar Wilde’i draamale rajatud lugu on õudne ja paneb vere tarretama, aga ka romantiline. Mise en scène : Jürgen Flimm Décors et costumes : Santo Loquasto Lumières : James F. Ingalls Chorégraphie : Doug Varone. Lust, murder, treachery, betrayal and tragedy are the usual components of opera, but they hardly prepare one for what Richard Strass’s Salome offers. 0000006484 00000 n Designer: Santo Loquasto Lighting designer: James F. Ingalls Choreographer ... trying to capture every mote of Karita Mattila's brilliant portrayal of Salome at the Metropolitan Opera. Décorateur. Pour le moment, aucune biographie n'est disponible pour cet artiste. Opéra en un acte de Richard Strauss d'après la pièce "Salomé" d'Oscar Wilde, traduit en allemand. The glory of Salome is too much; we avert our eyes, as the curtain swoops down to block her from view.--Parterre Box _____ Conductor: Johannes Debus* Production: Jürgen Flimm. Welitsch’s flaming red hair, “silvery-sounding voice,” and charismatic persona, together with Reiner’s masterful orchestra, thrilled the audience, who were “still cheering both fifteen minutes after the final curtain.” Welitsch and Reiner repeated their Salome in two more seasons until the soprano’s Met career abruptly ended due to her lack of success in other roles. On this chilly morning in February he was working on his set and costume designs for ''HereAfter,'' a highlight of American Ballet Theater's current season. Hoping that Strauss’s new opera mixing biblical figures with sexually infused stage action would create another box office hit, Conried selected the Salome premiere (pictured at the top of this page, with Olive Fremstad in the title role) as his annual benefit performance at elevated prices. Russian conductor Valery Gergiev whipped up the orchestra as the intense performance by Finnish soprano Karita Mattila in the title role (pictured above) recalled memories of Rysanek and even Welitsch. New York. Winner of Multiple Tony Awards for Costume and Set Design. By Agnes Kory. Throughout all this period and all the way back to the 1930s, Salome was given on a double bill, usually with an Italian opera or with a ballet. For the next 27 years, Salome remained in exile from the Met, though it was performed at Oscar Hammerstein’s Manhattan Opera House in 1909 with soprano Mary Garden, who specialized in playing seductresses. Salome: Karita Mattila Herodias: Ildikó Komlósi Herod: Kim Begley Narraboth: Joseph Kaiser Jokanaan: Juha Uusitalo . As designed by Santo Loquasto, the forestage is reduced to a crisscross obstacle course. Metropolitan Opera. Santo Loquasto was born on July 26, 1944 in Wilkes-Barre, Pennsylvania, USA. He is a production designer and costume designer, known for Radio Days (1987), Bullets Over Broadway (1994) and Café Society (2016). Find exactly what you're looking for! No opera premiere in Met history has created a scandal to equal the one that greeted Richard Strauss’s Salome on January 22, 1907. More modernizing yet was Jürgen Flimm’s new production in 2004, designed by Santo Loquasto. 0000008175 00000 n Santo Loquasto was born on July 26, 1944 in Wilkes-Barre, Pennsylvania, USA. 0000018336 00000 n - Dates de composition : 1903-1905. 0000011130 00000 n 0000011224 00000 n ; Voir vos achats de reproductions. Salome, Metropolitan Safari, New York Or evaluate according to Financial Times. Like Herod, one asks for the moon to darken, the torches to be put out. New York. Updated to the 20th century, this concept takes place in a Middle Eastern country in which Herod's palace seems to be a hotel filled with partying guests, conveniently next to a mine shaft in which Jochanaan is imprisoned. This Salome burns bright. 0000014330 00000 n In “Salome,” a soprano goes up against one of the great monster orchestras in opera history. in English literature from King's College, Wilkes-Barre, Pa. 0000006138 00000 n Designer Santo Loquasto has provided a palace terrace reached by a grand staircase that would not look out of place as part of a Middle Eastern Hilton hotel, … 0000038702 00000 n Operabase a répertorié l'activité lyrique dans le monde entier depuis 1996, avec plus de 500.000 représentations enregistrées. Activities of Santo Loquasto (24 resources in data.bnf.fr) Audiovisual works (including radio) (11) Gianni Schicchi (2016) with Santo Loquasto ... Salome (2011) with Santo Loquasto … 0000006109 00000 n 0000004455 00000 n Salome was an hour and forty minutes of lush and intense musical drama. Strange, winged, dark-robed stats seen the show silently from a facet-phase. IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. It records the work of artists in over 900 theatres, and … 0000002960 00000 n Perhaps too bright. By Jonathan Tichler . The word “sensation” once again became linked to Salome as it had been so often in the past. In 1938, Australian soprano Marjorie Lawrence achieved success in the part as a relatively lithe, youthful interpreter with a strong, dramatic soprano. Aidez-nous à compléter la fiche de cet artiste en apportant votre contribution via le formulaire de contact. En savoir plus sur les représentations liées à Nicholas Brownlee 0000038439 00000 n 0000008733 00000 n In Jürgen Flimm’s production at the New York Met, the story of Salome unfolds in a non-specific setting. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). After that cautious return, the formula for a successful Salome became clear: a strong personality in the title role with a voice that could slice through the huge orchestra and enough physical allure to avoid ridicule, supported by a dynamic, authoritative conductor. Nature de document. In Jürgen Flimm’s production at the New York Met, the story of Salome unfolds in a non-specific setting. 0000033347 00000 n Winthrop Sargeant in The New Yorker thought it a “total triumph. Karita Mattila's voice was incredible last night and I was amazed at the strength and volume of it over the very large Met Orchestra and an incredible score. Jürgen Flimm is the producer of this Salome, with set and costume designs by Santo Loquasto, choreography by Doug Varone. What surprised me, though, was that I have seldom seen it so magnificently acted … Karl Böhm, in the orchestra pit, brought out and clarified every detail of the score.”. No opera premiere in Met history has created a scandal to equal the one that greeted Richard Strauss’s Salome on January 22, 1907. 0000035114 00000 n - Diplômé de la Yale drama school (en 1969) ISNI :: ISNI 0000 0000 7845 2868: Activities of Santo Loquasto (24 resources in data.bnf.fr) Peter Clark is the Met’s Director of Archives. 0000012090 00000 n 0000013714 00000 n She's one of those performers who has no fear - either in voice or presence. Pour sa première mise en scène d’opéra, James Gray est entouré d’une équipe en or : Santo Loquasto aux décors, Bertrand Couderc (lumière) et Christian Lacroix pour les costumes. Soloists, Metropolitan Orchestra, Valery Gergiev, The Metropolitan Opera, New York City, March 15 th 2004 (BH) Conductor: Valery Gergiev Production: Jürgen Flimm Set and Costume Designer: Santo Loquasto Lighting Designer: James F. Ingalls Choreographer: Doug Varone Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. The Met’s reigning Brünnhilde and Isolde, Swedish soprano Birgit Nilsson (pictured above), joined the eminent Strauss conductor Karl Böhm for some of the most thrilling performances that Salome has ever received at the Met. 0000002324 00000 n Santo Loquasto LIGHTING DESIGNER James F. Ingalls CHOREOGRAPHER Doug Varone GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine Opera in one act Based on Hedwig Lachrnann's translation of Oscar Wilde's drama, adapted by the composer Tuesday, September 23, 2008, 8:00—9:40pm First time this season This production of Salome was made possible In his initial Met season, he produced the first performances of Wagner’s Parsifal outside of Bayreuth, in open defiance of the composer’s family and copyright holders. Richard Strauss: Salome (new production premiere). A new production by Nikolaus Lehnhoff in 1989 gave the opera a decadent atmosphere more akin to that of Wilde’s time than to biblical Judea. Setting for Met Opera Salome, with sets by Santo Loquasto (Photo: Marty Sohl / Met Opera) No matter which language was employed, the title character remains one of the most elusive and challenging to cast of any in the standard repertory. - Costumier. 0000005963 00000 n For the next 27 years, Salome remained in exile from the Met, ... More modernizing yet was Jürgen Flimm’s new production in 2004, designed by Santo Loquasto. From today’s viewpoint, there is considerable irony and even humor in contemplating the puritanical moral scruples of people now infamous as the legendary Gilded Age’s “robber barons.”, The outrage seemed to have been reinforced by an open dress rehearsal held on the Sunday before the premiere with an audience in attendance who had just left church services and found the opera somewhat less than edifying. Mattila’s costume, which evoked Marlene Dietrich in the 1930s, was completely discarded in the final scene, producing a rare instance of total nudity on the Met stage. Mr. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. Operabase has documented operatic activity worldwide since 1996, with over 500,000 performances on file. Santo Loquasto LIGHTING DESIGNER James F. Ingalls CHOREOGRAPHER Doug Varone GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine Richard Strauss Saturday, October 11, 2008, 1:00–2:40pm Salome Additional funding for this production was received from Mr. and Mrs. Sid R. Bass, Agnes Varis and Karl Leichtman, Mr. and Mrs. Ezra K. Zilkha, and The Gilbert S. Kahn and John J. Salome Succeeds poem by gershon hepner. "Salome", Richard Strauss, live from the Metropolitan Opera House. Jürgen Flimm (Production), Santo Loquasto (Set and Costume Designer), James F. Ingalls (Lighting Designer), Doug Varone (Choreographer) K. Mattila (© Marty Sohl/Metropolitan Opera) So King Herod is holding this very proper dinner party on the verandah of his desert palace. See full bio » ... Loquasto costumed Salome in a silk cocktail dress, Herod in an all-white suit, and Herodias in a long green gown. Metropolitan Opera. Russian conductor Valery Gergiev whipped up the orchestra as the intense performance by Finnish soprano Karita Mattila in the title role (pictured above) recalled memories of Rysanek and even Welitsch. Salome on Karita Mattila hiilgeroll. Worst of all, the board of the opera house’s owners became involved when the daughter of one of its most powerful members, J.P. Morgan, found the opera offensive. The period was updated from biblical times to (perhaps) World War I, with Herod and his guests in evening dress. Santo Loquasto; Trouver. In a word, she was fierce! Utilisez votre espace personnel pour : Réserver vos places et documents sur le site François-Mitterrand. Les Archives du Spectacle - Un moteur de recherche pour le spectacle vivant (théâtre, danse, opéra). 0000003749 00000 n On one side the set shows a moonlit terrace of … 0000012840 00000 n In Jürgen Flimm’s production at the New York Met, the story of Salome unfolds in a non-specific setting. Wipe-out games. - 1re représentation : Dresde, Hofoper, 9 décecembre 1905. The costumes, especially a pink ruffled gown for Salome, excited much comment. Santo Loquasto’s set depicts a quite modern terrace adjoining the palace’s tall, mosaic-tiled sloping facade, with one spiral staircase going upward behind the palace wall and another leading downward to the banquet-hall. Böhm had been close to Richard Strauss in the 1930s and led the world premieres of two of his late operas. But the reaction went beyond anything that Conried could have foreseen. She was the first American since Olive Fremstad to have the opera mounted specifically for her, and she would be the last until 1996, when Catherine Malfitano sang a series of searing performances under conductor Donald Runnicles. 0000033616 00000 n 0000006994 00000 n 0000004568 00000 n Setting for Met Opera Salome, with sets by Santo Loquasto (Photo: Marty Sohl / Met Opera) No matter which language was employed, the title character remains one of the most elusive and challenging to cast of any in the standard repertory. "Salome"by Richard Strauss from the play by Oscar Wilde German translation by Hedwig Lachmann Valery Gergiev, Conductor Jurgen Flimm, Production Santo Loquasto, Costume Designer Doug Varone, Choreographer Starring Karita Mattila (Salome), Bryn Terfel (Jochanan), Siegfried Jerusalem (Herod), Victoria Livengood (Herodias) But it was the duel Met debuts of conductor Fritz Reiner and Bulgarian soprano Ljuba Welitsch (pictured above) in 1949 that created the most sensational Salome performances since the 1907 premiere. Terms such as “moral stench,” “degeneracy,” and “operatic offal” filled news accounts of the Salome premiere. In this case, the reaction was ecstatic approval. Henderson’s description some years later of “a strange story projecting principally the abnormal psychologies of a feminine pervert and a man tormented by perpetual and undefined terrors.”. Salomé . Zelig. Jürgen Flimm (production), Santo Loquasto (sets and costumes), James Ingalls (lighting), Doug Varone (choreography) ... 27 seasons – and occupying its own tantalizing place in the operatic firmament ever since, it is hard to imagine that Salome could ever be boring. Santo Loquasto's incongruously modern day costumes additional nothing to account understanding, and his cumbersome set always been an obstacle study course for the upset contributors. 0000007720 00000 n One of conductor James Levine’s early assignments at the Met was Salome with Grace Bumbry (pictured above), who was transitioning from mezzo-soprano heroines into dramatic soprano parts. … 0000014055 00000 n 0000011818 00000 n But Salome is exasperated by Jochanaan (John the Baptist, ... Mr. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Karita Mattila Salome Ildikó Komlósi Herodias Kim Begley Herode Joseph Kaiser Narraboth Juha Uusitalo Jokanaan Direction musicale Mikko Franck Mise en scène Jürgen Flimm Décors et costumes Santo Loquasto Lumières James F. Ingalls Chorégraphie Doug Varone. Decadence, perversion, lust, necrophilia and a touch of religion are included but that is a shorthand and inadequate description of what you get from the Metropolitan Opera’s 2008 production directed by Jurgen Flimm. That championship season. Salome. Through the 1950s, various notable soprano-conductor duos partnered for Salome, such as Astrid Varnay and Reiner, and Christel Goltz and Inge Borkh with Dimitri Mitropoulos. "Salome", Richard Strauss, live from the Metropolitan Opera House. 0000035043 00000 n He started his career as a designer at the Showcase Theatre in Wilkes-Barre, Pennsylvania. - 1re représentation à l'Opéra de Paris (version française de Joseph de Marliave et Pedro Gailhard) : 3 mai 1910 Domaines : Musique Autre forme du titre : Salome. 0000007456 00000 n Jürgen Flimm designed the production, Santo Loquasto created the sets and costumes, and Doug Varone choreographed., with Barbara Willis Sweete directing for the stage. IMDb's advanced search allows you to run extremely powerful queries over all people and titles in the database. Infos pratiques. x�b```b``+a`c`�ed@ A�;���l���Y�{6$�&0�_e`f`̘�Ȑ-��p1c�ގxS)�_zS�%N�̒a�:1�I:��`��)c�|�F.���+��&dl7K8��@�*��^[۵f�]�Q����M�f�Z��N�V�� The first performance featured the Met role debut for Racette, a portrayal that earned her universal acclaim. 0000010123 00000 n 0000008204 00000 n Herodias was in a glamorous black and green off-the-shoulder gown and was made up as if she was Elizabeth Taylor in the “Who’s Afraid of Virginia Woolf” era. The return of Jürgen Flimm’s 2004 production of Salome to the Met was an occasion to celebrate two debuts: Patricia Racette taking on the title role at the Met for the first time stepping in for Catherine Naglestad, and the young conductor Johannes Debus leading the Met Orchestra in a straightforward but insightful reading of one of Strauss’s masterpieces. While the opera’s return was greeted as an important event, the performance lacked a protagonist with sufficient vocal or dramatic gifts to establish the work firmly in the repertory. The second performance of the Metropolitan Opera’s “Salome,” starring Patricia Racette, takes place on Friday, Dec. 9. "Salomé" (1891), dans la traduction allemande de Hedwig Lachmann. He is a production designer and costume designer, known for Radio Days (1987), Bullets Over Broadway (1994) and Café Society (2016). 1225 0 obj <> endobj xref 1225 49 0000000016 00000 n I have never heard the role so magnificently sung. Patrick Summers, conductor. And of course the libretto, based on a play by Oscar Wilde—the era’s notorious, openly gay writer—added fuel to the fire, as is evidenced by the eminent critic W.J. I even wrote about it twice and . - 1re représentation en français : Paris, 25 mars 1907. The Metropolitan Opera mounted this 2008 production of Richard Strauss's 1905 Salome, with a cast that includes Karita Mattila in the title role, Joseph Kaiser as Narraboth, Kim Begley as Herod and Ildikó Komlósi as Herodias. 0000030275 00000 n 0000005289 00000 n Trivia (10) Received a B.A. 0000007571 00000 n 0000030066 00000 n 0000030346 00000 n - Selected Co-authors A few minutes later, when she reappears at the top of the steps, she is wearing the soon-to-be-shed creamy tuxedo. Puccini’s Gianni Schicchi most often served as a curtain raiser, but Cavalleria Rusticana, La Serva Padrona, and Menotti’s Amelia Goes to the Ball also shared the bill sometimes, as did several ballets. Réduisez le nombre de résultats en cherchant comme : Auteur (20) Titre (2) Affiner. L’agenda des artistes et les saisons de plus de 900 théâtres sont proposés en 23 langues aux amateurs d'opéra. The Classical Net web site offers a comprehensive collection of information and news on classical music subjects including articles and CD reviews, composers and their music, the basic repertoire, recommended recordings and a CD buying guide. 0000009407 00000 n musique dramatique vocale (3) musique classique (3) Typologie des documents audiovisuels. Her conductor, Ettore Panizza, surprised those who admired him only for Italian and French repertory with an impressive aptitude for the style. R. Strauss - Salome [DVD] ... Santo Loquasto created the sets and costumes, and Doug Varone choreographed., with Barbara Willis Sweete directing for the stage. 0000003226 00000 n Marek Janowski conducted big-voiced Hungarian soprano Eva Marton in the title role, and the musical performance offered some compensation for those who felt bewildered by the visual aspects. 0000002494 00000 n SANTO LOQUASTO was behind schedule. In 1965, the first new production of Salome since 1934 was directed by Günther Rennert, with sets by Rudolf Heinrich. The Met’s Salome Revisited by Bruce Hodges (See main ... the sequence begins with Mattila dramatically dashing up Santo Loquasto’s huge curving staircase to prepare. Heinrich Conried, the Met’s general manager from 1903 to 1908, was a man of the theater who had a taste for sensation. Nk���;PwwI�b�q�����2�e�_l�q��l��$#ᴔs�]#�������l��!S5�֦�N�&R���>������];I. The production was by Jügen Flimm, with sets and costumes by Santo Loquasto. The second Met Salome, in 1934, was a tentative affair under the baton of Artur Bodanzky with Göta Ljungberg in the title role. 0000034516 00000 n He began designing costumes for legendary New York theatre producer Joseph Papp in the early 1970s. Loquasto has a bachelor's degree in English literature from King's College, Pennsylvania and a master's of fine arts from Yale Drama School. Op. It records the work of artists in over 900 theatres, and … In the 1970s, Böhm also partnered for Salome with another eminent soprano renowned for her portrayals of Strauss heroines, Leonie Rysanek. Images animées (7) Genres des documents audiovisuels. Cinéma Kinepolis - Mulhouse 68100 Mulhouse. trailer <]>> startxref 0 %%EOF 1273 0 obj <>stream Numéro commercial : Sony classical 88697806639. Salome. Informations, biographies, actualités, photos et vidéos de Santo Loquasto. 0000009857 00000 n 0000010666 00000 n Marty Sohl/Metropolitan Opera Metropolitan Operas jätkab endiselt võidukäiku ning toob kohale täissaalid 2004. aastal Jürgen Flimmi lavastusena valminud Richard Straussi ooper „Salome”. The powerful dramatic soprano Olive Fremstad (pictured above) had been a daring Salome in 1907—perhaps too daring in her fondling the severed head of John the Baptist. The beautiful, naturalistic sets and handsome, rich costumes of the Met’s Luisa Miller production (pictured at the top of this page and below), featured in this week’s schedule of free streams, show off the design work of Santo Loquasto, a Broadway master who made his Met debut with the premiere of this staging in 2001. Richard Strauss: Salome Libretto: Hedwig Lachmann after Oscar Wilde. 0000002118 00000 n Heinrich Conried, the Met’s general manager from 1903 to 1908, was a man of the theater who had a taste for sensation. New York. Santo Loquasto is credited as Designer. Setting for Met Opera Salome, with sets by Santo Loquasto (Photo: Marty Sohl / Met Opera) No matter which language was employed, the title character remains one of the most elusive and challenging to cast of any in the standard repertory. Salome erupts in a spasm of twisted desire or childish petulance, Ms. Mattila unleashes chilling, hard- ... Mr. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. Designer: Santo Loquasto. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. 0000013358 00000 n But sadly, this short revival (six performances through December 28) has proved otherwise. The action in Richard Strauss’s opera Salome takes place outside the palace of King Herod Antipas, tetrarch of Galilee, in the first century AD. Reaction went beyond anything that Conried could have foreseen this short revival ( performances. Latest versions of Chrome, Firefox, and Safari dramatique vocale ( 3 ) musique classique 3. Moon to darken, the forestage is reduced to a crisscross obstacle course in this case, story... Silk cocktail dress, Herod in an all-white suit, and Safari, opéra ): Joseph Jokanaan., she is wearing the soon-to-be-shed creamy tuxedo acte de Richard Strauss d'après la pièce `` Salomé (... 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